April82012
millionsmillions:

From The Art of Fielding by Chad Harbach:
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn’t matter how beautifully you performed sometimes, what you did on your best day, how many spectacular plays you made. You weren’t a painter or a writer—you didn’t work in private and discard your mistakes, and it wasn’t just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. The scouts cared little for Henry’s superhuman grace; insofar as they cared they were suckered-in aesthetes and shitty scouts. Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can’t be a hundred, it had better be ninety-nine. … …Baseball, in its quiet way, was an extravagantly harrowing game. Football, basketball, hockey, lacrosse—these were melee sports. You could make yourself useful by hustling and scrapping more than the other guy. You could redeem yourself through sheer desire. But baseball was different. Schwartz thought of it as Homeric—not a scrum but a series of isolated contests. Batter versus pitcher, fielder versus ball. You couldn’t storm around, snorting and slapping people, the way Schwartz did while playing football. You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?
[Image via MatMan311]

millionsmillions:

From The Art of Fielding by Chad Harbach:

For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not.

Baseball was an art, but to excel at it you had to become a machine. It didn’t matter how beautifully you performed sometimes, what you did on your best day, how many spectacular plays you made. You weren’t a painter or a writer—you didn’t work in private and discard your mistakes, and it wasn’t just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. The scouts cared little for Henry’s superhuman grace; insofar as they cared they were suckered-in aesthetes and shitty scouts. Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can’t be a hundred, it had better be ninety-nine.



…Baseball, in its quiet way, was an extravagantly harrowing game. Football, basketball, hockey, lacrosse—these were melee sports. You could make yourself useful by hustling and scrapping more than the other guy. You could redeem yourself through sheer desire.

But baseball was different. Schwartz thought of it as Homeric—not a scrum but a series of isolated contests. Batter versus pitcher, fielder versus ball. You couldn’t storm around, snorting and slapping people, the way Schwartz did while playing football. You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?

[Image via MatMan311]

12AM

cheekychip:

The Arsenal Ballet.

Always appreciative of attempts to fuse together the beautiful game with fine arts, this spot for the Citroën DS5 was pretty well-executed. While the location looks like a luxurious room at Versailles, Arsenal’s Alex Song, Wojciech Szczesny, Alex Oxlade-Chamberlain, and Bacary Sagna learn ballet with dancers from the English National Ballet. And if that doesn’t do it for you, Arsenal legend Martin Keown is casually providing the music on the piano in the background. The four players seem comfortable enough in such a foreign environment, but I’m sure Per Mertesacker is still celebrating the fact that he didn’t have to partake. [posted by EB]

Adore. I wish we got this commercial in the US.

March82012

From Sachs to Kristof to Invisible Children to TED, the fastest growth industry in the US is the White Savior Industrial Complex.

The white savior supports brutal policies in the morning, founds charities in the afternoon, and receives awards in the evening.

The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.

Feverish worry over that awful African warlord. But close to 1.5 million Iraqis died from an American war of choice. Worry about that.

Teju Cole (via deantrippe)
February232012

downtonabbeyonce:

some-disgraced-cosmonaut:

All the Downton Ladies

I…cannot find the words to say how I feel.

January242012

afootballreport:

Poland’s 58,000 seat chocolate national stadium. That’s right.

If you’re hungry, look away. Poland’s new national stadium in Warsaw will host the opening match of EURO 2012 (only 134 days away!), along with two other group stage matches, a quarterfinal, and a semifinal. The stadium itself (fourth picture) is almost finished, but with all the typical hype surrounding a prestigious international tournament we found this delicious creation.

The chocolate model of the National Stadium was made on a 1:130 scale and weighs 400 kilograms. The designer, so to speak, is renowned confectioner Janusz Profus. Since we’ve already committed to a food post, we’ll let you know that it’s made of milk, white, and bitter chocolate. Oh, and the construction of the model started in December, only finishing less than two weeks ago. That, my friends, is being committed to food.

January132012
I don’t care if this movie is any good, I want to own that poster. It’s wonderful. (via Pajiba)

I don’t care if this movie is any good, I want to own that poster. It’s wonderful. (via Pajiba)

January42012
December212011
This is the most fantastic NPR-nerdery ever. 

This is the most fantastic NPR-nerdery ever. 

(Source: nprheygirl)

December62011

Raise your hand if you’re the only girl in your fantasy football league to be in the playoffs.

barwen:

::CHEST BUMP:: NOW WHAT SUCKAAAAAAAA

Not in our league, but yes! Love it! 

12AM
animalstalkinginallcaps:

NO, RYAN. DON’T GO BACK TO CHINO. THE COHENS ACCEPT YOU, AND THEY CAN GIVE YOU A BETTER LIFE. SETH NEEDS A REAL FRIEND. HE’S SO ISOLATED AND SOCIALLY AWKWARD. YOU’RE JUST THE TYPE OF COMBINATION CONFIDANTE/ROLE MODEL HE NEEDS.

I miss the OC. 

animalstalkinginallcaps:

NO, RYAN. DON’T GO BACK TO CHINO. THE COHENS ACCEPT YOU, AND THEY CAN GIVE YOU A BETTER LIFE. SETH NEEDS A REAL FRIEND. HE’S SO ISOLATED AND SOCIALLY AWKWARD. YOU’RE JUST THE TYPE OF COMBINATION CONFIDANTE/ROLE MODEL HE NEEDS.

I miss the OC. 

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